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“Wonderkind” was created in the midst of a tumultuous time in Cudmore’s life, having moved from Vancouver to Toronto. Many have written about heartbreak, but few have approached it as a process as Cudmore did, taking over a year and a half to process varying stages of grief. While in the recording studio, Cudmore’s life took a more tragic turn, with the passing of two close friends, including a musical mentor. In the midst of the turmoil, it’s not surprising that “Wonderkind” feels viscerally personal. It’s a credit to Cudmore’s strengths as a writer that she also retains the bookish and playful spirit that informed her earlier work.

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